The Sacred Vessel
Festivals of the Arks
At the great temple of Luxor in Upper Egypt, carved in stone is "a permanent and richly illustrated account of the important 'Festival of Apet' which had been inscribed here in the fourteenth century BC on Tutankhamen's direct orders....In what seemed to be a massive and joyous procession I was able to make out the shapes of several different Ark-like boats being carried on the shoulders of several different groups of priests, before whom musicians played on sistra and a variety of other instruments, acrobats performed, and people danced and sang, clapping their hands in excitement."
"The Tabernacle of the Law had much in common with the arks or divine tabernacles of the Babylonians and Egyptians, which formed the places of abode of figures of gods or heir characteristic emblems. The ark of Bel, the great god of Babylon, contained the figure of the god, and the king visited it ceremonially once a year. On high days and holidays the ark would be carried in procession by the priest round the city...In Egypt the arks of the gods were kept in chambers specially constructed for the purpose, and the figures of the gods were seated on thrones inside them. The ark of Amun, for example, was provided with doors that were kept bolted and sealed. On certain occasions the king had the right to break the seals, unbolt the door and look upon the face of the god."
"The gods were carried in procession in 'ships', which, as we learn from the sculptures, resembled in form the Hebrew Ark, and were borne on men's shoulders by means of staves."
"Every detail of these complex and beautifully carved scenes reminded me irresistibly of Timkat [baptismal ceremonies to celebrate Holy Epiphany] in Godar [Ethiopia] - which had also involved an outgoing procession (bringing the tabotat [relicas of the tablets in the Ark of the Covenant] from the churches to the 'baptismal' lake beside the old castle) and a returning procession..."
"Now, urged on the trumpet blasts and by shouts, by the thrusts of a ten-stringed begegna and the haunting tones of a shepherd's flute, a young man dressed in traditional robes of white cotton performed a wild solo dance while the priests stood in their place stopping the eager crowd behind them and bearing the sacred tabot aloft. Beautiful in his lithe vigor, splendid in his ferocious energy, the youth seemed entrance. With all eyes upon him he curled the pulsing kebero, pirouetting and swaying, shoulders jerking, head bobbing, lost in his own inner rhythms, praising God with every limb, with every ounce of his strength, with every particle of his being." Compare Timkat with the dance of King David when he brought the Ark of the Israelites to Jerusalem:
"...There is much evidence of the existence of cultic prophets, or nebiim, in Canaanite religion. In a famous passage in I Samuel, Saul is instructed by Samuel that when he travels to a certain town (Gibeah),he will encounter a band of prophets, coming down from the mountain with lutes, drums, and other musical instruments. The nebiim used such instruments to accompany their dancing: They would dance themselves into a frenzy during which they give vent to ecstatic utterances. Samuel predicted that Saul would find himself swept along by the spirit of God and would begin to prophesy along with men from the mountain. This popular, cultic kind of prophecy not only typified the cult of Yahweh in the 'high places' and in the Jerusalem Temple; it was also associated with Baalism. The nebiim were organized in guilds, and there is reason to think that the great prophets who reformed the religion of Israel themselves belonged to such guilds."
Bacchants called themselves 'prophets' of Dionysus. Like the worshippers of Dionysus, Semitic ecstatic prophets usually acted not individually but in groups. Jezebel of Tyre's four hundred and fifty 'prophets' of Baal on Mount Carmel, while sacrificing to their god and calling to him for an apparition, danced around the altar, shouted and wounded themselves with knives. Of the four hundred Israelite prophets of Yahweh one while prophesying before King Ahab, fastened iron horns to his head. The woman Bacchants on Mount Laphysitos in Boeotia were called 'horn-wearing' women.
"The word ark comes from the Hebrew word aron, which means a chest or box. Its dimensions are described by the bible as 2.5 cubits by 1.5 cubits by 1.5 cubits (62.5 inches by 37.5 inches by 37.5 inches). Curiously, this is the exact volume of the stone chest or porphyry coffer in the King's Chamber in the Great Pyramid in Egypt. This coffer was the only object within the King's Chamber, as the Ark was the single sacred object within the Holy of Holies, in the Temple. Also the laver, or basin, that the priests used to wash their feet had the identical cubit dimensions."
"The Ark of the Covenant that had stood in the Holy of Holies, first in the Tabernacle, later in the Solomonic Temple, had disappeared...and the Bible is mute as to its ulterior fate. Prophets and priests, official Jewry in general, stoically accepted the loss; they had the Word of God, they had their covenant with Him, they could do without the wooden chest. Not so the simple people. Unwilling, and almost unable, to believe the truth, they began to spin out yarns, taking as their point of departure certain passages in Scripture. King Josias...had ordered it to be hidden...Where was it hidden?...Non-Jewish sources pretended that the Ark had been carried off to Ethiopia by Menelek, son of Solomon and of the Queen of Sheba."
The Kebra Nagast is "an account in Coptic and Arabic of how the Queen of Sheba had visited Solomon, by whom she had conceived a son, Menelek, from whom the Ethiopian kings descended. This book was composed in the sixth century AD, probably by a Coptic priest, and was translated into Arabic before the twelfth century, and into Ethiopian in the fourteenth."
"The genuine Ark is supposed to rest at Axum [Ethiopia]; all other churches can only possess replicas. In most cases they are not, however, replicas of the whole Ark, but merely of its supposed contents, i.e. the tables of the Law...In other words: the description of these stone or wooden tablets as tabotat is simply by way of a pars pro toto referring to the most important part of the Ark, the tables of the Covenant."
"...According to established etymologies the original meaning of tabot had been 'ship like container'...The Archaic Hebrew word tebah (from which the Ethiopic term had been derived) had been used in the Bible to refer specifically to ship-like arks, namely the ark of Noah and the ark of bulrushes in which the infant Moses can been cast adrift on the Nile."
In the procession of the Initiates of Isis, described by Apuleius, "then followed a chest or ark, magnificently ornamented, containing an image of the organs of generation of Osiris, or perhaps of both sexes; emblems of the original generating and producing Powers."
"The Ark of the Israelites - which was patterned after the sacred chests of the Isiac Mysteries - contained three holy objects, each having an important phallic interpretation: the pot of manna, the rod that budded, and the Tablets of the Law - the first, second, and third Principles of the Creative Triad....When placed in King Solomon's Everlasting House, the Ark of the Covenant contained only the Tablets of the Law. Does this indicate that even at that early date the secret tradition had been lost and the letter of the revelation alone remained?
Construction of the Ark"In Exodus the dimensions of the Ark are given as two and a half cubits for its length, one cubit and a half its breadth and one cubit and a half its height. It was made of shittim-wood, gold plated within and without, and contained the sacred tablets of the Law delivered to Moses upon Sinai. The lid of the Ark was in the form of a golden plate upon which knelt two mysterious creatures called Cherubim, facing each other, with wings arched overhead. It was upon this mercy seat between the wings of the celestials that the Lord of Israel descended when He desired to communicate with His High Priest."
"It is possible that the kaporeth [lid of gold or mercy seat] was a later tradition and that it subsequently took the role ascribed to the ark - that is, the sign of the divine presence - in the period after the Exile in Babylon. While the traditions about the sanctuary and the ark are ancient, going back to the period of the Jews' desert wanderings, the descriptions of them were probably written at the time of Solomon and were based on his Temple."
"After receiving it [the 'divine blueprint], Moses passed it on verbatim to an artificer named Bezaleel, a man 'filled with the spirit of God, in wisdom, and in understanding, and in knowledge, and in all manner of workmanship, to devise cunning works [Exodus 31:2-4]."
"According to the Bible, Moses and the priests could communicate with the Lord in the Holy of Holies; his voice was said to emanate from a point in space between the two cherubim over the Ark (Exodus 25:22, Numbers 7:89).
"...Cherubs were not the angelic little winged infants of popular imagination - they were sphinx-like mythological monsters, part lion, part bird and part man, which are familiar to us now form the art and religious symbolism of the ancient Middle East, and which the Israelites borrowed and adapted for their own religious iconography." (Click here for more information about the origins and hybrid appearance of the cheribum.
"...The four shrines that had been built to contain the sarcophagus of Tutankhamen...took the form of large rectangular caskets that had originally been positioned one inside the other but that were now installed in separate display cases. Since each casket was made of wood, and since each, moreover, was plated 'inside and out with pure gold', it was difficult to resist the conclusion that the mind that had conceived the Ark of the Covenant must have been familiar with objects like these.
"There was a tradition that she [Isis] protected the dead Osiris with long feathery wings that, as the Great Enchantress, she was able to grow. Another says that it was with her wings that she attempted to transmit to him the breath of life. Inevitably, she was adopted as one of the protector goddesses in funeral rites and frequently depicted with her sister Nephthys, similarly winged, their plumaged arms entwined." Later accounts of the cherubim on the Ark describe them not as facing across a distance, but intertwined in a sexual embrace. The accounts below refer to the defilement of the Temple by Seleucid king Antiochus IV Epiphanes in 167 B.C.E.
According to the Kabbalah, it is from the union of the two polar opposites, male and female, that one perfect body is formed.
The Glory"...Nadab and Abihu, two of the four sons of Aaron the High Priest, who was Moses's own brother...enjoyed access to the Holy of Holies, into which one day advanced carrying metal incense burners in their hands. There... they 'offered strange fire before the Lord, which He commanded them not' [Leviticus 10:1]. " - Graham Hancock, The Sign and the Seal
"The Ark is not only seen as the leader of Israel's host, but is directly addressed as Yahweh. There is virtually an identification of Yahweh and the Ark...there is no doubt that the Ark was interpreted as the extension or embodiment of the presence of Yahweh."
The cloud "was not always present, but on those occasions when it did materialize the Israelites believed 'that the demons held sway' - and then even Moses would not dare to approach." The lethal power of the Ark also has a precedent in Egyptian tradition.
In the Pyramid Texts."
, "one particularly striking tradition speaks of a 'golden box' in which Ra (first king of the gods) had deposited a number of objects - described respectively, as his 'rod' (or cane), a lock of his hair, and his uraeus (a rearing cobra with its hood extended, fashioned out of gold, which was worn on the royal head-dress).
"Two traditions are here brought together: Yahweh's guidance by means of the cloud, and the significance of the ark's being carried before the people as they marched. The ark was a symbol of God's presence among the people in battle, to give them victory, as is made clear from the words put into Moses' mouth when it set forward and when it rested as well as from the story in Chapter 14 of the Israelites' defeat by Amalekites and Canaanites, when they went to battle against Moses' express command and without taking the ark with them. These words of Moses are clearly ancient. They represent (in their appeal to Yahweh to rise up, at the beginning of a battle) the early concept of the ark, which may well be Moses' own, that it was a representation of the throne or footstool on which the invisible Yahweh rested."
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